Regine Schumann's luminous practice redefines the interplay of color, light, form, and space. By employing industrially produced fluorescent acrylic glass, Schumann transforms her materials into radiant light objects under black light, reshaping spatial perceptions. Her installations invite audiences to explore environments that transcend functional realities, offering spaces imbued with possibility and vibrant sensory experiences.

Drawing from the traditions of minimalism and concrete art, Schumann’s work creates dynamic “color rooms,” pulsating with atmospheric oscillations that evoke almost tactile sensations. Her chameleon-like light objects respond to shifting light conditions—daylight, artificial light, or black light—offering viewers an evolving interplay between the visible and the invisible. This synchronicity underscores the duality of color: as both an external, radiant phenomenon and an internal, contemplative illumination.

Schumann’s installations—ranging from vertical bar compositions to parallel fluorescent panels and monumental slabs—produce an intoxicating chromatic aura. These spatial arrangements coalesce into harmonious and immersive environments, challenging viewers to engage with the architecture of light itself.