Kristian Kragelund investigates the potential of industrial debris as ambiguous artifacts of human history amidst rapid technological transformation. While commonly used in social sciences like anthropology and ethnology, the term is intentionally vague in its definition. By repurposing a variety of artifacts sourced from the data and energy industries, Kragelund transforms discarded objects into formal elements of art, crafting a visual essay that invites reflection on the intersection of technology, history, and meaning.